She played the late Princess of Wales on ‘The Crown’ and just won an Emmy for it.
Here, Debicki exclusively takes ‘Marie Claire’ inside the styling of her “regal” gown.
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It feels like a very, for me, princessy dress, really.
That’s the most beautiful dress I’ve ever seen."
“Elizabeth is such a champion of all the women she works with,” Debicki says.
“She always wants you to feel so comfortable in your own skin.”
Their dresseslast night’s Emmys gown includedalways started with what both Elizabeths wanted.
I’ve never worn something like this, and it feels fresh and new for us.'
Then we would see the next day a sort of photo and we would think, huh!
I guess it actually, really does look like that dress that Princess Di wore."
Debicki and Saltzman considered the black velvet Dior gown a grand finale to their three-year partnership.
That sense of purpose manifested in the clean lines and commanding but refined shape.
“It’s kind ofreverential.
There’s something about it that feels like it has a beautiful weight to it.
Her own sense of style has come into focus with each red carpet.
“I have learned to trust myself more.
She’ll still make references if and when it’s appropriate.
you might say something with it and create a sort of character.”
The next time Debicki plays a red carpet part, it won’t be in reference to Princess Diana.
“It has been a gift.”
The late pope spared no expense when it came to treating the infant prince in 2014.
Skip the shampoos, glosses, and treatments.
The late monarch was “not a foodie,” but kept her meals simple and fresh.
The star has been on a fashion journey since her hit show’s first season.
She referenced Gwyneth Paltrows ’90s-era style with an archival Prada print once worn by the star.
The Academy Award-winner feels more like herself than ever.
Even with a major first-time nomination, the star stayed true to herself.
Archival Chanel is the start.
Her outfit for the ‘A Cruel Love’ premiere is equal parts retro and modern.
The duo coordinated for Tory Burch’s “delightful” front row.
